Martine Syms (b. 1988, Los Angeles) uses video and performance to examine representations of Blackness and its relationship to American situation comedy, Black vernacular, feminist movements and radical traditions. Her artwork has been exhibited and screened extensively, including presentations at the New Museum, The Studio Museum in Harlem, Museum of Contemporary Art Los Angeles, MCA Chicago, Green Gallery, Gene Siskel Film Centre, and White Flag Projects. She has lectured at Yale University, SXSW, California Institute of the Arts, University of Chicago, Johns Hopkins University, and MoMA PS1, among other venues. Syms’ recently presented exhibitions include Projects 106, Museum of Modern, New York; Borrowed Lady, SFU Galleries, Vancouver; Fact and Trouble, ICA London; COM PORT MENT, Karma International, Los Angeles; Vertical Elevated Oblique, Bridget Donahue Gallery, New York. From 2007-2011 she was the codirector of the Chicago artist run project space Golden Age, and she currently runs Dominica Publishing: an imprint dedicated to exploring blackness in visual culture. She is the author of Implications and Distinctions: Format, Content and Context in Contemporary Race Film (2011).