Cheng Ran was born in 1981 in Inner Mongolia, China, and currently lives and works in Hangzhou, China.
His work has been featured in numerous biennials and group exhibitions, including the Art Institute of Chicago (2017), Chicago, The World Precedes the Eye, Institute of Contemporary Arts Singapore, Singapore (2016); Unlimited, Art Basel, Basel (2016); SALTWATER: a Theory of Thought Forms, the 14th Istanbul Biennial, Istanbul (2015); When I Give, I Give Myself, the Van Gogh Museum, Amsterdam (2015); Inside China – L’Intérieur du Géant, chi K11 art museum, Shanghai (2015), K11 Art Foundation Pop-Up Space, Hong Kong (2015) and Palais de Tokyo, Paris (2014); Cinematheque: Music is On, Band is Gone, chi K11 art museum, Shanghai (2015); Degeneration, Australia China Art Foundation (ACAF), Sydney (2014) and OCT Contemporary Art Terminal (OCAT), Shanghai (2013); and ON|OFF: China’s Young Artists in Concept and Practice, Ullens Center for Contemporary Art, Beijing (2013). Cheng Ran’s most recent solo exhibitions include Diary of a Madman at Galerie Urs Meile, Beijing-Lucerne, Beijing (2017) and the New Museum, New York (2016); In Course of the Miraculous at the K11 Art Foundation, Hong Kong (2016), and Galerie Urs Meile, Beijing-Lucerne, Beijing (2015). His other solo shows have been presented at: Qiao Space, Shanghai (2016); YUAN Space, Beijing (2015); Armada, Milan (2014). Cheng Ran was nominated for the first edition of the OCAT & Pierre Huber Art Prize in 2014 and the Absolut Art Award in 2013, and was named the “Best Video Artist” by the art magazine Radian in 2011.